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You wake to the wailing of your mother, the cacophony of her latter days stirring you from the deepest slumber of your life. You reach across your bed to take your brother’s hand in your own, to give him the courage he needs these days to open his eyes, but he’s gone. Fine then, you think. You reach between your legs instead, to that place where his absence is most obvious, and it’s as you rest your warm hand there and wish the soreness away—it’s then that you hear the first gunshot.

And then the second, and the third. And so on.

They’re coming from outside, you realize, as you burst from your bed and then through the door. But that doesn’t slow you down. He may not be putting your mother out of her misery just yet, but chances are that Silas is still up to no good.

“You’re indecent,” is all he says to you as bound out onto the back lawn in nothing but the clothes God gave you.

It’s dark but for the half-moon overhead and the curtains of stars that moon is peeking out from behind. The hedgerow between you and your only neighbor is high and the beach to the other side is vacant but for the gulls that call it home.

“What will Old Man Brown say?” asks your brother as he reloads the pistol.

“If he can see over the shrubbery,” you say, “I’m sure he’s too busy attending to himself to have words for us.”

Silas smiles as he hands you the pistol. “You are no Tamson,” he says, shaking his head.

“I know,” you say, taking the gun from him. “I shared our cousin’s bed more often than you did.”

He says nothing for a moment and you can’t read his face in the dark.

“I’m sorry,” you say, and you are. Tamson is a sore spot for Silas and you shouldn’t have poked him there.

“Practice,” he says.

“Now?” you say. “At night?”

High above the two of you, your mother screams the name of Silas. But whether she’s calling for your brother or your long-dead father, you can’t be sure.

“Practice,” he says.

You take aim and fire and glass shatters across the way. You aim and fire, aim and fire. And when your bullets are spent, you hand the gun back to your brother and he tells you again that you’re a natural—better than he’s ever been.

“If only you’d had me at Secessionville,” you tell him.

“I wouldn’t have been the only one to have you,” he says. “You may be a great shot, but soldiers are soldiers. Men are men.”

He smiles, but you don’t. You know all too well that men are men, even brothers. Even brothers whose faces are buried in books when they aren’t buried between your thighs. Hadn’t you said no, last night? Hadn’t you said it again and again, that you were done, that you couldn’t do this anymore? And hadn’t he used your embrace as you wiped away his tears about your mother—hadn’t he used that as his excuse to turn no into maybe, maybe into yes, fine, okay, but be quick?

He hands you the gun again, having reloaded it once more. And this is when he tells you that he thought to bring the pistol upstairs, to put your mother out of her misery. Or, if not the gun, a knife. If not the knife, then a pillow.

“All because she’s begged you to have a child?”

“I would have,” he spits, and you know he’s thinking of Tamson again. “I would have.”

He asks you to hold your fire while he stalks across the lawn to reset the targets. And you do hold the gun at your side until his back is turned. But then you raise it—you raise the gun and point it straight at him. And you wonder if you should do it. You are a woman, after all. It’d be chalked up to an accident. And this is not the same boy that you, your mother, and your sisters sent off to war. Is he joking about what he’d do to your mother if courage finally found him? Maybe, but maybe not.

There are voices on the wind, or maybe just in your head. Do it, they whisper. Do it. You count six of them this time, though you don’t check behind you to make sure. Where is the seventh, you wonder. But then, there she is: begging for mercy. Begging for Silas, as she always does.

Above you, another scream rends the air. And so, you shush the voices that follow you these days and you lower the gun. Because right now—right now, you understand.

As he steps out of the darkness, tears in his eyes, you see the boy you helped raise. You see him and you forgive him, even if you shouldn’t.

Even though you know, in your heart—in every bone in your body—that you should not. You. Should. Not.

Continue reading the story of Sarah and Silas in The Seven Wives of Silver on sale now.